Goblin Hot Pot

“Goblin Hot Pot” drawn by Sandy Ross Bender with crayons and colored pencils on red paper a while ago.

Dancing around a fiery cauldron bubbling with delicious goblin cuisine ingredients is in stark contrast to coping with real time global dangers that encroach upon our conciousness. Living in art and music is starlight as darkness and its inky blackness thicken and roll out the last glimmers of the day.

“Goblin Hot Pot” composed, performed, and recorded by Sandy Ross Bender with guitar, banjo, glockenspiel, and concertina on November 19, 2021.

And then there is music for the next morning…

“Beautiful Banjo Morning” composed, performed, and recorded by Sandy Ross Bender on banjo, guitar, and concertina on November 20, 2021.

“The Mermaid” (Child No. 289) from the Ballad Book by John Jacob Niles

“Sailing ships at sea” drawn by Sandy Ross Bender from “Ships in a Stormy Sea off a Coast” by Dutch Painter Ludolf Backhuisen C. 1690 exhibited at the North Carolina Museum of Art in 2019. *
“The Mermaid” arranged, performed, and recorded by Sandy Ross Bender with voice, guitar and harmonica on March 27, 2021

Oh the stormy winds do blow,

with the landlubbers down below,

And the sailor-men a-climbing to the top,

To haul in the riggin’-o.

T’was Sunday night, our sails were set

We hardly cleared the land-o,

When we spied a mermaid a-swimming by,

A comb and a glass in her hand-o.

The captain plumbed with a lead and a line,

He plumbed for to reach the sand-o,

While the winds and the waves did toss and roar,

We knew we’d never see land-o.

Then three times ’round went our gallant ship,

And three times more went she,

And the mate and the cabin boy said goodbye,

As we sank in the salt, salt sea.

She Runs Through My Mind Like an Apparition

Listen to my recent musical composition entitled, ” She Runs Through My Mind Like an Apparition” for guitar, concertina, and mandolin. My boxwood engraving of a vine covered oak is evocative of the haunted James River floodplain in Virginia. The musical composition is reminiscent of stories sung in ballads that migrated from Europe and Africa to the southern regions of North America. The diverse musical instruments express the fleeting polyphonic thoughts that run through my mind, forever changing in time. I fondly acknowledge my son, Adam Bender for assisting me with graphic layout and production. Sandy Bender

Two dancing pigs

“Two Dancing Pigs” Pastel Drawing Detail by Sanford Ross Bender

“Two Dancing Pigs” composed, performed, and recorded on one track with acoustic guitar and harmonica. Previously included on “Terrain” CD 2015 by Sanford (Sandy) Ross Bender

“Two Dancing Pigs” was improvised by playing harmonica and guitar simultaneously. Any discomfort in physically managing two instruments was alleviated through closed-eye visualization of two dancing pigs squealing with delight in each other’s company. The artwork is a detail of the pastel drawing used in my previous post, “The Listening Drum.” Looking closer allows one to see two dark pig-like shapes appear (among other creatures such as a spider, a bat, or a raven’s tail). Perhaps, rainbow colored waves are perceived as dancing while the pig duo floats and soars overhead in sea spray and thermal undulations. A colorful drawing appearing to depict a single slice in time awakens and sequentially shape-shifts to melodic rhythms of musical joy.

You can find “Two Dancing Pigs” and other pieces on Sandy Bender’s album Terrain.