Category: Music

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Creekside

“Creekside” (“My first concertina piece!”) composed, performed and recorded with guitar and concertina on separate tracks by Sanford. R. Bender on July 31, 2021
“Creekside” painted and drawn with watercolor and colored pencil by Sanford R. Bender a while ago

I just bought a 40-button “Anglo” concertina a week ago. Wind instruments operated with bellows and their “old world” sound had intrigued me for quite a while. I was also fascinated by the difference of this instrument from the harmonica and clarinet where I have to rely on breathing and embouchure. Producing the joyful or wistful sound of a concertina would however, require the dexterity and theoretical understanding of pressing buttons on each side while pulling and pushing the bellows in rhythmic time. The painting “Creekside”, seemed appropriate to the music in its depiction of a meandering stream flowing through its carved channel of forested and stone armored embankment.

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Shells

“After a hard day’s work” composed , performed and recorded with guitar on two tracks by Sanford R. Bender.
“Scallops” drawn with colored pencil by Sanford R. Bender in June 2015.
“Scallops and Conches” drawn with colored pencil by Sanford R. Bender in June, 2015.

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A brief passion

“A brief passion” (Trunk Bay, U.S. Virgin Islands) drawn by Sanford R. Bender a while ago.

“A brief passion” composed, played and recorded by Sanford R. Bender with guitar on two tracks a while ago.

“A Brief Passion”

A passion can pass,

In a twinkle of an eye,

A leeward glance,

A breath and a sigh,

Inhaled fragrance,

With luster of jade,

Horizons of memories,

That never fade.

Sanford R. Bender April 19, 2021

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A lull in the battle

“A lull in the battle” was composed and performed with guitar by Sanford R. Bender on July 17, 2016
“Amiens Cathedral Interior Elevation” drawn with pencil by Sanford R. Bender in 1991
“Amiens Cathedral Exterior Elevation” drawn with pencil by Sanford R. Bender in 1991

My drawings of Cathedrale Notre-Dame d’Amiens from the thirteenth century were drawn while researching Gothic architecture, and how cathedrals in France were being constructed with arches, vaulted ceilings, flying buttresses, and stained glass windows. After drawing the horizontal and vertical lines of the structure with straight edge and triangle, I soon became entranced and astonished by how consecutive arcs drawn with a compass established a rhythm that appeared to dance gracefully across the page. The visual motion of the arcade struck me deeply as being musical, my other passion. The original guitar composition, “A lull in the battle”, inspired by medieval music, is what I imagined as being evocative of an exhausted knight pausing from battle, only to reflect and mourn a bygone romance.

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Elephant Concert

“You give something away” composed, performed, and recorded on two tracks for guitar and clarinet by Sanford Bender
“Elephant Concert: Performance” Brush, pen and ink painted storyboard by Sanford Bender

“Elephant Concert” originated during an animation course that I participated in in the early 1980’s. The original film was created with colored paints on celluloid. The story was about an elephant man who plays his cello while sounding the clarinet-like melody through his trunk. The unappreciative audience soon becomes unruly and resorts to heckling as an expression of their ignorance.

The original music was played on violin and clarinet. The current music composed for clarinet and guitar heartily welcomes an improvised or composed violoncello part to play along with the guitar and clarinet.

“Elephant Concert: Escape” Brush, pen and ink painted storyboard by Sanford Bender

The emotionally upset performers quickly make their exit from the intolerant city. The elephant man leaps upon his bicycle and pedals furiously as his companion, the violoncello skips alongside.

“Elephant Concert: Consolation” Brush, pen, watercolor and ink painted storyboard by Sanford Bender

The duo finally finds consolation after a well deserved rest in the countryside. Their appetites will soon be appeased as they gaze into the aromatic delicatessen that will soon be opening for business.

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The Sand Dollar

“The Sand Dollar” collected and photographed by Sanford Bender on June 15, 2021.
“The Sand Dollar”, a poem written on July 10, 2010, with music sung and accompanied with acoustic guitar by Sanford Bender on June 25, 2015

The Sand Dollar

Walking around the curve of beach

The light house still far to the west

Out over seemingly endless dunes

An infinite distance reminding me

Of the poet who observed that

Beyond mountains

Were more mountains,

Soon after my companion turned back

I accepted the futility of continuing

But in my turning around

Circumventing the ocean’s horizon

Looked down upon a treasure trove of shells

Glittering beneath my feet,

There in the curls of seaweed

I found a sand dollar

Smooth and round

Ten pine like needles radiating

The image of the moon

Which would soon appear

Over the darkening sea

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Not from where I came

“Not from where I came” was painted with watercolor and gouache by Sanford Bender in 1985.

I played banjo more than guitar for a while since I especially enjoyed its mirthful and spontaneous independence. This instrument could provide enlightened commentaries on the most tragic and haunting occurrences of lost love, betrayal, revenge, murder, and perhaps even evoke valor and the emergence of integrity.

“Not from where I came” was played and recorded on May 5, 2021 with one track of acoustic guitar with metal slide, and then improvised over with a second track of five-string banjo.

This music for guitar with slide and five-string banjo is reminiscent of traditional ballads travelling from place to place like fairy tales with subtly changing variations over a common theme; only to alight into my own imagination as another powerful resource fueling my creativity.

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The Soul of an Elephant

The “Soul of an Elephant” drawn with pencil in a travel sketchbook by Sanford Bender in the summer of 2017.

This gestural sketch of an elephant was one of a series that I drew during a trip to an elephant resort in Thailand. After learning about Asian elephants and their symbiotic relationship with humans, our small group was led to an athletic field where the elephants would play soccer. Not only could I ride atop an elephant beforehand and feel its lumbering but graceful rhythms; I could even experience its earnest attempt to perform successfully for human entertainment, and then even perceive its ultimate humiliation. Otherwise, the elephants were treated well, and when left to roam in the jungle at night, could retain their integrity and be wild.

The “Soul of an Elephant” composed and played with two guitar tracks by Sanford Bender in May 10, 2020.

This improvised instrumental for two guitars with its changing rhythms, recurring melodies, pause, and cascading cadence to a major seventh chordal resolution reached perfection in its understatement and brevity. It seemed appropriate to accompany the sketch delineating an elephant’s triumph over any perceived fallibility in a game devised by humans.

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Riding into the Starlit Night

Darkening evening on the ride home -Sanford Bender

Since I don’t go to the park until later in the afternoon, I am often there riding my yellow bicycle back to the car as dusk sets in. I quicken my pace as the inky blackness settles around me, and the few farmhouses and barns are left behind. Gazing up into the lofty pines upon hearing the distant hoot of a great horned owl, I begin to perceive myriads of stars glittering above me. The music in my mind that I hear that evening may not arrive until another day. But, the melodies and rhythms have already embellished my soul, and like the stars, will gradually reveal themselves in their delicate splendor.