Tag: banjo

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Memory of a Drowned Town

“Memory of a Drowned Town” composed, performed, and recorded with vocals, guitar, banjo, and clarinet by Sanford Ross Bender on December 30, 2015.

“A natural occurence” painted with gouache by Sanford Ross Bender

Memory of a Drowned Town

The river washed my house away,

I always liked the view.

The rocks that I had piled up,

Tumbled away and broke through.

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My cat climbed into the highest tree,

My dog just ran away.

Only the old rooster,

Took command of the bay.

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Down in the valley so far below,

Lay a wasted town.

Some people found their old row boats,

The rest must have drowned.

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We never thought the storm would come,

To our sacred isle.

This is what comes to the best of us,

When we live our lives in denial.

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Sanford Ross Bender – Copyright: 12.30.2015

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Lycanthrope

“Lycanthrope” composed, performed, and recorded with voice singing original poem and accompaniment on guitar, and banjo by S.R. Bender on December 24, 2015
“Werewolf” painted with gouache by S.R. Bender

Lycanthrope

Darting furtively through the mist

Cursed under lunar brightness

The valiancy of my heart

Slashed by razor teeth

Became my darkest side

Evil enclosing

My nocturnal lair

* * * * * * * * * * * * * * * * *

Mud tracked prints

Find me sprawled

In the dawn of twisted sheets

Like tormented trees

Gnarled from remembering

What blackened life

Is forever gone

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But only the music

Of wind and owls

And the crackling rain

Had abided my incessant howls

Until yet another night

When gliding clouds

Reveal another full newness of moon

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S.R. Bender, January 8, 2011

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Goblin Hot Pot

“Goblin Hot Pot” drawn by Sandy Ross Bender with crayons and colored pencils on red paper a while ago.

Dancing around a fiery cauldron bubbling with delicious goblin cuisine ingredients is in stark contrast to coping with real time global dangers that encroach upon our conciousness. Living in art and music is starlight as darkness and its inky blackness thicken and roll out the last glimmers of the day.

“Goblin Hot Pot” composed, performed, and recorded by Sandy Ross Bender with guitar, banjo, glockenspiel, and concertina on November 19, 2021.

And then there is music for the next morning…

“Beautiful Banjo Morning” composed, performed, and recorded by Sandy Ross Bender on banjo, guitar, and concertina on November 20, 2021.
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Serenade

This artwork came about during my fine artist days in Manhattan, while I was attending both New York University and the Art Students League of New York. I was also studying music in the former institution which required an explanation in a master’s degree thesis of how art and music may be interrelated. My research included biographical as well as theoretical investigations into the paintings of Wassily Kandinsky and the musical compositions of Arnold Schoenberg, both of whom found inspiration within the interplay between painting (and drawing) and music. In my case, I found expression and solace in the practice of both mediums, whether or not I could describe rationally the necessity of dual participation. Although art is primarily associated with the visual sense and music with the aural sense, they both share commonality in the tactile sense.

This musical composition includes guitar, my primary instrument, banjo, a secondary plucked string instrument, and concertina, the most recent wind (bellows) instrument in my musical arsenal. “Serenade for guitar, banjo, and concertina” is reminiscent of various styles in jazz, blues, folk, and classical music. The music came together in this manner through improvisation and just hit the right spot for me.

“Serenade” drawn with colored pencil and oil crayons by Sanford R. Bender a while ago.
“Serenade for guitar, banjo, and concertina” composed, performed and recorded on three tracks by Sanford R. Bender on August 5, 2021.

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Not from where I came

“Not from where I came” was painted with watercolor and gouache by Sanford Bender in 1985.

I played banjo more than guitar for a while since I especially enjoyed its mirthful and spontaneous independence. This instrument could provide enlightened commentaries on the most tragic and haunting occurrences of lost love, betrayal, revenge, murder, and perhaps even evoke valor and the emergence of integrity.

“Not from where I came” was played and recorded on May 5, 2021 with one track of acoustic guitar with metal slide, and then improvised over with a second track of five-string banjo.

This music for guitar with slide and five-string banjo is reminiscent of traditional ballads travelling from place to place like fairy tales with subtly changing variations over a common theme; only to alight into my own imagination as another powerful resource fueling my creativity.