She runs through my mind like an apparition

“She runs through my mind like an apparition” composed, played, and recorded with guitar, mandolin, and concertina by Sanford R. Bender 081521
“Piazza San Marco in Venice, Italy” drawn with pen in sketchbook by Sanford R. Bender in July, 1992.

“Bees. diamonds, and other flying creatures” drawn with pen and colored pencil on cardboard cutout by Sanford R. Bender in September, 2002.
“Arizona buttes, pinnacles, and canyons” drawn with pen in sketchbook by Sanford R. Bender in April, 1995.

Serenade

This artwork came about during my fine artist days in Manhattan, while I was attending both New York University and the Art Students League of New York. I was also studying music in the former institution which required an explanation in a master’s degree thesis of how art and music may be interrelated. My research included biographical as well as theoretical investigations into the paintings of Wassily Kandinsky and the musical compositions of Arnold Schoenberg, both of whom found inspiration within the interplay between painting (and drawing) and music. In my case, I found expression and solace in the practice of both mediums, whether or not I could describe rationally the necessity of dual participation. Although art is primarily associated with the visual sense and music with the aural sense, they both share commonality in the tactile sense.

This musical composition includes guitar, my primary instrument, banjo, a secondary plucked string instrument, and concertina, the most recent wind (bellows) instrument in my musical arsenal. “Serenade for guitar, banjo, and concertina” is reminiscent of various styles in jazz, blues, folk, and classical music. The music came together in this manner through improvisation and just hit the right spot for me.

“Serenade” drawn with colored pencil and oil crayons by Sanford R. Bender a while ago.
“Serenade for guitar, banjo, and concertina” composed, performed and recorded on three tracks by Sanford R. Bender on August 5, 2021.

Creekside

“Creekside” (“My first concertina piece!”) composed, performed and recorded with guitar and concertina on separate tracks by Sanford. R. Bender on July 31, 2021
“Creekside” painted and drawn with watercolor and colored pencil by Sanford R. Bender a while ago

I just bought a 40-button “Anglo” concertina a week ago. Wind instruments operated with bellows and their “old world” sound had intrigued me for quite a while. I was also fascinated by the difference of this instrument from the harmonica and clarinet where I have to rely on breathing and embouchure. Producing the joyful or wistful sound of a concertina would however, require the dexterity and theoretical understanding of pressing buttons on each side while pulling and pushing the bellows in rhythmic time. The painting “Creekside”, seemed appropriate to the music in its depiction of a meandering stream flowing through its carved channel of forested and stone armored embankment.

Shells

“After a hard day’s work” composed , performed and recorded with guitar on two tracks by Sanford R. Bender.
“Scallops” drawn with colored pencil by Sanford R. Bender in June 2015.
“Scallops and Conches” drawn with colored pencil by Sanford R. Bender in June, 2015.

A brief passion

“A brief passion” (Trunk Bay, U.S. Virgin Islands) drawn by Sanford R. Bender a while ago.

“A brief passion” composed, played and recorded by Sanford R. Bender with guitar on two tracks a while ago.

“A Brief Passion”

A passion can pass,

In a twinkle of an eye,

A leeward glance,

A breath and a sigh,

Inhaled fragrance,

With luster of jade,

Horizons of memories,

That never fade.

Sanford R. Bender April 19, 2021

A lull in the battle

“A lull in the battle” was composed and performed with guitar by Sanford R. Bender on July 17, 2016
“Amiens Cathedral Interior Elevation” drawn with pencil by Sanford R. Bender in 1991
“Amiens Cathedral Exterior Elevation” drawn with pencil by Sanford R. Bender in 1991

My drawings of Cathedrale Notre-Dame d’Amiens from the thirteenth century were drawn while researching Gothic architecture, and how cathedrals in France were being constructed with arches, vaulted ceilings, flying buttresses, and stained glass windows. After drawing the horizontal and vertical lines of the structure with straight edge and triangle, I soon became entranced and astonished by how consecutive arcs drawn with a compass established a rhythm that appeared to dance gracefully across the page. The visual motion of the arcade struck me deeply as being musical, my other passion. The original guitar composition, “A lull in the battle”, inspired by medieval music, is what I imagined as being evocative of an exhausted knight pausing from battle, only to reflect and mourn a bygone romance.

Not from where I came

“Not from where I came” was painted with watercolor and gouache by Sanford Bender in 1985.

I played banjo more than guitar for a while since I especially enjoyed its mirthful and spontaneous independence. This instrument could provide enlightened commentaries on the most tragic and haunting occurrences of lost love, betrayal, revenge, murder, and perhaps even evoke valor and the emergence of integrity.

“Not from where I came” was played and recorded on May 5, 2021 with one track of acoustic guitar with metal slide, and then improvised over with a second track of five-string banjo.

This music for guitar with slide and five-string banjo is reminiscent of traditional ballads travelling from place to place like fairy tales with subtly changing variations over a common theme; only to alight into my own imagination as another powerful resource fueling my creativity.